I've been spending this summer doing a lot of editing -- compiling and authoring, but also editing -- and it's finally starting to wear me down. Not that I dislike editing my own material -- quite the contrary, I get rather defensive when others handle the process. But more than sitting at a computer and manipulating footage, I'd love to get out in the "field" with a cast and camera and make something new.
I guess that's why most of my projects never get finished once they enter the editing stage.
But call me what you like, the fact is, I haven't shot a single stitch of movie all summer... and for me, that's a really, *really* long time to go. After all, I didn't get into this business to connect and shine up the dots; I got into it to plot them out.
So I'm starting to think about shooting films again tonight. Short ones, long ones, feature ones- anything. And I know already that it'd be naive of me to say I'm just interested in holding a camera. I have a tremendous drive to act, too, and I think I'm still improving. I can't walk into the bathroom and close the door without stopping to perform a scene of some kind, just to verify to myself that yes, I indeed deserve an Academy Award for such a tasteful mastery of art.
I've got a lot of projects at this point that I'd like to take time to develop further, write a draft out of, put it up on screen, see how it balances and flows. One's a Memento-esque bomb-and-cops mystery. One's a noir about a masked hitman. Another's about brothers who are assassins. There's a parody of The Fog, a rogue Grim Reaper story, a Red Riding Hood-zombie remash, and I still think doing a Beard vs. Garbage Man action-horror movie would be a brilliant and exciting challenge. And now Peter (Srinivasan) says he thinks I should try out a drama, and test my versatility in a genre such as that. Huh. Now he's probably right that a little non-action/comedy wouldn't hurt me, but I can hardly imagine finding a good drama script that I could ever like. And writing one seems like writing a report on beans; what's to excite an audience when your characters aren't taking extra measures and major actions to progress the plot?
Maybe they are, emotionally, but I need to see knives and explosions and jumping off buildings before I'm convinced that it's not going to put people to sleep.
Regardless, I do want to test my range as a writer and director, and I do value the challenge of something completely out of my fish bowl. They say Mel Brooks directed The Elephant Man under a different name, because he feared audiences would view it lightly if shot by a man made famous for his sense of humor.
The least I can do is try something without a single bullet.
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